[{"data":1,"prerenderedAt":176},["ShallowReactive",2],{"route:\u002Fcatalogue\u002Fla-methode-des-moments\u002F":3,"layout":88},{"kind":4,"lang":5,"oeuvre":6,"breadcrumb":63,"translations":68,"alternates":71,"seo":72,"jsonLd":76},"oeuvre","fr",{"title":7,"meta":8,"banner":13,"image":20,"resume":25,"credits":26,"festivals":29,"producers":31,"formats":32,"genres":34,"director":37,"trailer":46,"gallery":49},"La Méthode des Moments",[9,10,11,12],"Lydia Yakonowsky","Canada","2025","10''",{"src":14,"srcset":15,"width":16,"height":17,"alt":18,"mime":19},"\u002Fassets\u002Fimages\u002F2026\u002F10\u002FMM-stills-1-1536.webp","\u002Fassets\u002Fimages\u002F2026\u002F10\u002FMM-stills-1-320.webp 320w, \u002Fassets\u002Fimages\u002F2026\u002F10\u002FMM-stills-1-480.webp 480w, \u002Fassets\u002Fimages\u002F2026\u002F10\u002FMM-stills-1-640.webp 640w, \u002Fassets\u002Fimages\u002F2026\u002F10\u002FMM-stills-1-768.webp 768w, \u002Fassets\u002Fimages\u002F2026\u002F10\u002FMM-stills-1-1024.webp 1024w, \u002Fassets\u002Fimages\u002F2026\u002F10\u002FMM-stills-1-1280.webp 1280w, \u002Fassets\u002Fimages\u002F2026\u002F10\u002FMM-stills-1-1536.webp 1536w",1536,864,"","image\u002Fjpeg",{"src":21,"srcset":22,"width":23,"height":24,"alt":18,"mime":19},"\u002Fassets\u002Fimages\u002F2026\u002F10\u002FPoster-MM-light-e1791195876819-1080.webp","\u002Fassets\u002Fimages\u002F2026\u002F10\u002FPoster-MM-light-e1791195876819-320.webp 320w, \u002Fassets\u002Fimages\u002F2026\u002F10\u002FPoster-MM-light-e1791195876819-480.webp 480w, \u002Fassets\u002Fimages\u002F2026\u002F10\u002FPoster-MM-light-e1791195876819-640.webp 640w, \u002Fassets\u002Fimages\u002F2026\u002F10\u002FPoster-MM-light-e1791195876819-768.webp 768w, \u002Fassets\u002Fimages\u002F2026\u002F10\u002FPoster-MM-light-e1791195876819-1024.webp 1024w, \u002Fassets\u002Fimages\u002F2026\u002F10\u002FPoster-MM-light-e1791195876819-1080.webp 1080w",1080,1424,"Ce film transpose la méthode des moments, une technique statistique, dans le champ artistique. Le langage visuel des statistiques est détourné pour créer des représentations qui ne décrivent plus des données chiffrées, mais les cycles de la vie, le passage du temps et la résonance de la nostalgie. Par ces graphiques réinventés, l’artiste illustre une expérience humaine universelle.",[27,28],"Réalisée par Lydia Yakonowsky","Musique par Lydia Yakonowsky",[30],"Festival ART*VR | Fulldome Competition : Selection Officielle (2026)",[],[33],"Full dôme",[35,36],"Animation","Création",{"title":9,"resume":38,"website":39,"image":42},"Artiste visuelle canadienne basée à Montréal, Lydia Yakonowsky évolue à la frontière des arts numériques, du court métrage immersif, et de la performance. Elle exploite des technologies numériques pour produire des compositions visuelles en temps réel, qu’elle capture et transforme en réalisations autonomes. Elle est spécialisée dans le format fulldome. 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